Tue 19th Mar 2013 Critical Perspective brands and branding lecture. Jean Wainwright 10:00
No Logo Naomi Klein
Blood on the carpet. Benetton advertising (DVD)
Art brands, such as TATE
Art fairs have now become brands themselves such as frieze
Brand artists, such as Damion Hurst
Benettons ground breaking 'Man dying from Aids 1992' advertising campaign was discussed. Therese Frare / concept Toscani 1982-2000
In the 1940's brand essence, psychological and anthropological study became important components of branding.
Dissertation brief.
Two main components to be completed consist of:
Part one. Research pro forma that follows supplied conventions and acts as an extended bibliography. Two dates for review for this split across two groups, 23rd April and 25th April 2013. Present proposal on this date and supply working title, subject, authors and images required along with rational. PowerPoint format if possible.
Minimum six varied sources which can include Internet, film, books, interviews and journals.
Part two forms a 1000-1500 word synopsis (plan) for the dissertation. From this we will receive a feedback sheet to assist with the direction required for the dissertation itself.
26th March will be a progress update on the brief to ensure we are on track.
16th April we have sessions with third year students for guidance with the task, we will be split according to subject matter of our dissertation idea.
7th May final hand in for part one and part two which each make up fifty percent of the total thirty percent of the critical practice unit
Seminar. 15:00 room 806
Seminar. 15:00 room 806
This session was to discuss early ideas for the dissertation proposal, so I hung around for this despite having no firm ideas yet for my pro forma. AT least three of us hadn't any firm ideas yet, and I think people will have more focus once the Essay is handed in on the 21st, myself included.
Critical Practice
Friday, 22 March 2013
Tuesday, 19 March 2013
Dissertation brief.
Tue 19th Mar 2013 Critical Perspective brands and branding lecture.
No Logo Naomi Klein
Blood on the carpet. Benetton advertising (DVD)
Art brands, such as TATE
Art fairs have now become brands themselves such as frieze
Brand artists, such as Damion Hurst
Benettons ground breaking 'Man dying from Aids 1992' advertising campaign was discussed. Therese Frare / concept Toscani 1982-2000
In the 1940's brand essence, psychological and anthropological study became important components of branding.
Dissertation brief.
Two main components to be completed consist of:
Part one. Research pro forma that follows supplied conventions and acts as an extended bibliography. Two dates for review for this split across two groups, 23rd April and 25th April 2013. Present proposal on this date and supply working title, subject, authors and images required along with rational. PowerPoint format if possible.
Minimum six varied sources which can include Internet, film, books, interviews and journals.
Part two forms a 1000-1500 word synopsis (plan) for the dissertation. From this we will receive a feedback sheet to assist with the direction required for the dissertation itself.
26th March will be a progress update on the brief to ensure we are on track.
16th April we have sessions with third year students for guidance with the task, we will be split according to subject matter of our dissertation idea.
7th May final hand in for part one and part two which each make up fifty percent of the total thirty percent of the critical practice unit
No Logo Naomi Klein
Blood on the carpet. Benetton advertising (DVD)
Art brands, such as TATE
Art fairs have now become brands themselves such as frieze
Brand artists, such as Damion Hurst
Benettons ground breaking 'Man dying from Aids 1992' advertising campaign was discussed. Therese Frare / concept Toscani 1982-2000
In the 1940's brand essence, psychological and anthropological study became important components of branding.
Dissertation brief.
Two main components to be completed consist of:
Part one. Research pro forma that follows supplied conventions and acts as an extended bibliography. Two dates for review for this split across two groups, 23rd April and 25th April 2013. Present proposal on this date and supply working title, subject, authors and images required along with rational. PowerPoint format if possible.
Minimum six varied sources which can include Internet, film, books, interviews and journals.
Part two forms a 1000-1500 word synopsis (plan) for the dissertation. From this we will receive a feedback sheet to assist with the direction required for the dissertation itself.
26th March will be a progress update on the brief to ensure we are on track.
16th April we have sessions with third year students for guidance with the task, we will be split according to subject matter of our dissertation idea.
7th May final hand in for part one and part two which each make up fifty percent of the total thirty percent of the critical practice unit
Saturday, 9 March 2013
Critical Perspective Lecture Moderism
Tue 26th Feb 2013 Critical Perspective Lecture Moderism
This session started with a documentary than related to our previous lecture. We watched 'The September Issue' which related to the world of fashion and Vogue in particular.
Following on from this we moved onto today's subject matter, modernism and postmodernism.
Moderism - "Less is more" "Truth of materials"
Building as art
1880-1930 social transformation through architecture and design
Utopian schemes
Futurists design degradable structures so that each generation have to rebuild and create a new modern world.
Bauhaus (Walter Gropius)
Postmodernism-"less is a bore, you add more" "Playful and anarchic"
Monday, 18 February 2013
recycled fashion into idea?
Recycled fashion is turning heads every day. We can see fashion designers showcasing their eco-friendly clothing lines during fashion shows and other events to challenge people’s perception of second-hand clothing. Clothes made from recycled materials is now not a new thing to the fashion world.
I believe, being fashion forward has taken on a new meaning. Designer Gary Harvey deigns fashion from reproduced trash and discarded material. Harvey 's designs are not for everyone but the idea is great for those that want to be eco-friendly. Some of the gowns are a bit outrageous and others are awe inspiring.
Gary Harvey info
GARY HARVEY
The designer
Gary Harvey, an eco-conscious creationist who is fascinated with the creativity that goes into making stunningly fashionable dresses has re-designed these outfits by reconstructing discarded garments and waste materials.
The inspiration
The inspiration for Gary Harvey’s recycled and other clothing are those who value the artist with in themselves. Whether it is a poet playing with words, an artist giving new meaning to white canvas or a make-up artist working with a make-up brush. He gets inspired with anyone and anyone who is creative and artistic.
The green factor
These amazing recycled dresses are made by giving new life to waste materials that would have else ended in landfills and cause harm to the environment. There is diversity in his choice of material, you would see chic dresses sopping out of materials like old laundry bags, discarded jeans, old black logo T-shirts, used nylon baseball jackets, newspaper, used trench coats, old army jackets, used Hawaiian skirts, cans, bottle tops and cardboard boxes. By upcycling these dresses, it has extended their life by another 10 to 15 years.
research about recycled fashion
It is estimated
that more than 1 million tonnes of textiles are thrown away every year in the UK alone. At
least 50% of the textiles we throw away are recyclable, however, the proportion
of textile wastes reused or recycled annually in the UK is only around 25%.
Recovery and recycling provide important environmental benefits. Textile recovery:
- Reduces the need for landfill space. Textiles
present particular problems in landfill as synthetic (man-made fibres)
products will not decompose, while woollen garments do decompose and
produce methane, which contributes to global warming.
- Reduces pressure on virgin resources.
- Results in less pollution and energy savings,
as fibres do not have to be manufactured or transported from abroad.
If everyone in the
Many fashion businesses are choosing to incorporate recycled fibres, fabrics or clothes in their collections.
Consumers can also contribute by recycling , re-fashioning and re-styling existing clothes, swapping clothes with friends or choosing to invest in quality rather than quantity when buying clothes.
There are three
ways of recycling fashion:
- Using fabric composed of recycled fibres or
products- for example recycled polyster made from used drinking bottles or
fabrics made from recycled yarns
- Recycling textile fabric- (“Upcycling”) for
example using unwanted factory surpluses, offcuts or materials which would
otherwise be thrown away
- Recycling or customising clothing- taking
second hand clothing and re-fashioning or repairing it so it is given a
second life.
Recycling in
the fashion industry
Fabrics made from recycled items are now becoming more commonplace with recycled polyester made from recycled drinks bottles now being made by companies such as Patagonia , Marks and Spencer, and Armani jeans.
Armani jeans have been incorporating eco fabrics and design since the mid 90’s. Their first eco project started in 1995 with the development of a process to recycle denim. This was revolutionary for the time and the jeans were displayed at the Science and Technology Museum of Milan. Later that year, Armani Jeans developed new materials using 60% recycled wool and recycled cross dyed cotton and introduced hemp eco washes into the collection. This experimentation has continued with the production of an organic knitwear range, the use of pure alpaca and the engagement with fair-trade cotton projects in
Some fashion businesses use fabric waste generated during the manufacturing process or material that has been designated as unusable due to minor faults.
Companies like From Somewhere specialise in creating collections from this kind of fabric , and refer to this process as ‘upcycling’ rather than recycling.
More reasons to
recycle
- Landfill sites pose a threat to local ground
water supplies. Every time it rains, water drains through all the rubbish,
and picks up chemicals and hazardous materials from whatever is in the
landfill site. This includes chemicals used in clothing and textiles such
as dyes and bleaches. The water collects at the bottom of the landfill,
often in large amounts and can be up to 200 times as toxic as raw sewage.
- By re-using existing fibres and textiles,
there is no need to make these textiles from raw materials (such as
cotton, wool, and synthetic fibres) This saves on the energy used and
pollution caused during manufacturing processes like dying, washing, and
scouring.
The power of photography in campaigns?
The power of
photography in campaigns
The prevalence of imagery in everyday life reflects
a simple fact – it is an unparalleled tool of communication, able to prompt a
reaction in the instant it takes for someone to catch sight of it, yet to
convey a huge amount of information to someone who chooses to look closer.
Photography is not simply an art activity, but a
language that can be used to inform, persuade, shock, amuse or intrigue.
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